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Extra: Ja’hari Ortega, Rixy, and Wavy Wednesday
March 1 - April 28, 2024
Extra features the work of Rixy, Ja’Hari Ortega, and Wavy Wednesday. The exhibition is inspired by the descriptor within Black and Brown communities describing something or someone as excessive, out-of-the-box, or ‘doing too much’ which is a coded, negative connotation for defying the mainstream. To quote Melissa Harris-Perry, “Shamed for being fast, womanly, or too damn grown, Black girls are encouraged to stop doing so much or being extra.” Instead, watch these girl bosses reclaim the beauty in their flyness, outspokenness, too muchery, bling, boundless imagination, and refusal to dim their shine.
The artists respond by unleashing their full creative potential. The illustrative style and community-based background of street artist Rixy works to dismantle machismo and societal conventions through her unapologetic depictions of lush figures and her clever use of gender performance histories. JaHari Ortega‘s compelling sculptural works and installation reinforce the exhibition’s themes of adornment and self-expression. Wavy Wednesday’s pop-art style denounces racism through satire and allusions to consumerism. She said to a WESA reporter, “Being a Black woman is feeling like you’re automatically placed on the outside.” What would it look like if we were no longer entangled in these enclosures, we could have a space to just BE, unapologetically? It cultivates what being at the center really feels like.
Selected Exhibited Artworks and Install Shots
Ja'Hari Ortega, B.I.G. Hoops, 2021, Bronze
Ja'Hari Ortega, Proteccion, 2021, Bronze
Ja'Hari Ortega, Just So You Know, 2019, Welded chain
Ja'Hari Ortega, Try Me If You Want To, 2023, Mixed Media
Rixy, Stomp On ‘Em, 2023 Acrylic, cement, nails on repurposed heels
Rixy, Check Yourself, 2024, Pencil on paper with antique mirror
Rixy, To Toast the Spirits, 2024, Painting: Acrylic, Glitter + Hardware on Wood, Installation: Upcycled Bottles, Fluorescent Liquid, Neon Lights
Rixy, The Risk on My Wrist, 2024, Acrylic, Fabric, Thread on Woodcut
Wavy Wednesday, BLK BARBIES, 2024, Phototex Reproduction
Wavy Wednesday, Get In Loser, 2024, Phototex reproduction
Wavy Wednesday, I Can't Swim Anyway, 2024, Phototex Reproduction
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Photography by Alex Arlos
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About the Artists
Ja’Hari Ortega (She/Her),a Boston-based artist, educator, and advocate, depicts a vernacular language in a style that captures the pulse of her city. She is a multidisciplinary artist who is primarily drawn to bronze casting, jewelry making, and performance. Having attended Boston's only public high school for the visual and performing arts, Boston Academy for the Arts, as well as the nation’s first and only public independent college of art and design, Massachusetts College of Art and Design, Ortega is a leader in her community. She was a panelist for Boston’s Radical Imagination for Racial Justice which invites Boston-based artists and creatives of color to imagine and co-create justice with their communities, is working on an ambitious public art commission for the Rose Kennedy Greenway, and her work is in public and private collections.
Rixy (she/her) is an interdisciplinary Latine Caribbean street artist from Roxbury, Massachusetts. Primarily self-taught, she received her BFA at UMass Boston in 2019. Her distinctive murals can be found both street-wide and on institutional walls, from her base in New England to Latin America. Recently, she introduced her solo exhibition Enter the Cúcala, a collection of new works reflecting the background of its femme inhabitants and their raw upbringings. This series was exhibited at the Trustman Gallery of Simmons University, Laisun Keane Gallery, and Woman Made Gallery in Chicago. Meditations on this series have inspired and influenced her positions in teaching, programming, & social justice. Rixy attended TheCreateWell’s Converging Liberations Residency at Mass MoCA, a Ruth Butler Fellowship in Mexico, was commissioned by the City of Boston as a Transformative Public Art Muralist, completed her Now+There's Accelerator Public Artist Project, and is currently the Artist-in-Residence at Elevated Thought. Rixy was also named a 2023 Maker by WBUR.
Wavy Wednesday (She/Her) Kamara Townes, known professionally as Wavy Wednesday, is an artist, muralist and activist based in Pittsburgh, Pennsylvania. Her work highlights the more playful aspects of her experiences as a Black feminist artist and incorporates elements of pop culture, street art, and Afrofuturism to confront and comment on social, racial, and gender justice. Her multidisciplinary practice, which encompasses painting, sculpture, murals, and installations have been celebrated and featured in several public art projects in the city of Pittsburgh, published in Brian Burley’s “YNGBLKPGH,” and shared widely on popular social media sites including Afropunk and Supermarket Magazine. Townes received a Bachelor of Fine Arts degree from California University of Pennsylvania and is currently pursuing a Master of Fine Arts degree with a focus in painting at West Virginia University.
About the Curator
Chenoa Baker (she/her) is a curator, wordsmith, and descendant of self-emancipators. Art spaces as incubators for intergroup dialogue and imaginative portals were her foray into curatorial work. She worked on: Gio Swaby: Fresh Up at the Peabody Essex Museum; Simone Leigh at ICA/Boston; and Touching Roots: Black Ancestral Legacies in the Americas at MFA/Boston. Her autobiographical-style art criticism appears in Public Parking, Material Intelligence, Studio Potter, Boston Art Review, Sixty Inches From Center, Burnaway, and a monograph contribution for Helena Metaferia: Generations, Art For This Moment.